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  • One Word Extinguisher

    • 8 out of 10
    • Prefuse 73
    • It's an album about a breakup, done with beats instead of mopey lyrics. But the beats are raw, and the emotions are there, even if there aren't many words on top of it. While possibly not Scott Herren
  • Never Let Me Down [ECD]

    • 4 out of 10
    • David Bowie
    • It must be a lonely place to be considered David Bowie's worst album by just about everyone, including the artist himself. As the last album before Bowie "rebooted" and formed the band Tin Machine, "N
  • Trouble

    • 8 out of 10
    • Ray LaMontagne
    • At first, Ray LaMontagne might strike you as just another breathy-voiced knockoff of folk/rock guitarists like John Mayer and Jack Johnson. But he's actually got a better voice than either, he tell

  • Live at the Magic Bag, Ferndale, MI

    • 6 out of 10
    • Supersuckers
    • Man, there's nothing like good, old fashioned, rock and roll... add a bit of industry resentment to that with a double-shot of cynicism, and you get one of the best "new" rock bands going. This album
  • Physical Graffiti

    • 10 out of 10
    • Led Zeppelin
    • This album bears every flavor of genius from the five records that came before. It is, I believe, the band's finest. With Physical Graffiti, Zep came raging back to their musical home territory -- har

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A DoubleTwist On DRM

Jon Johansen, best known for his DeCSS application that removes copy protection from DVD movie discs, is approaching digital rights management (DRM) from a different angle with his company DoubleTwist Ventures. Now he plans to add DRM code to songs to mimic Apple's FairPlay copy protection technology.

Mr. Johansen, also known as DVD Jon, has played a cat-and-mouse game with Apple Computer for some time by reverse-engineering its FairPlay copy protection technology. His code was used in applications like QTFairUse to strip the copy protection out of songs so that they could play on portable music devices other than the iPod. Apple would release updates that broke his code, and a few days later Mr. Johansen would release a new version that worked.

At the beginning of October, however, he announced that DoubleTwist was taking a different approach by adding FairPlay-like DRM code to already copy protected songs. In effect, it allows companies to sell copy protected music that plays on a wide range of devices - including Apple's iPod. Any company that wants to take advantage of DVD Jon's code has to license it through DoubleTwist Ventures.

Right now, the DoubleTwist Ventures Web site is scant on details, but that doesn't seem to be stopping companies from considering purchasing licenses. Apparently, at least one anonymous company has already signed on.

In a meeting Mr. Johansen had with Apple in January, Steve Jobs warned him that "while Apple was not a litigious company, other tech firms might not take kindly to whatever DVD Jon might be up to." The implication is that at some point, DoubleTwist's code will likely land Mr. Johansen in court.

Ultimately, DVD Jon's turnabout from stripping copy protection out of songs to adding it back in may work out in Apple's favor. If companies license his technology for their own music stores, it could ultimately drive iPod sales even higher.

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