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Release Date: August 05, 2009
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Release Date: September 29, 2009
Genre: Rock
Release Date: September 20, 2009
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Discover New Music

  • How to Dismantle an Atomic Bomb

    • 6 out of 10
    • U2
    • U2's latest entry is a mostly underwhelming collection of songs that does very little to sound any different from its equally pedestrian predecessor, 2000's "All That You Can't Leave Behind." While

  • The Dresden Dolls

    • 10 out of 10
    • The Dresden Dolls
    • The energetic duet of Amanda Palmer and Brian Viglione that make up the Dresden Dolls have created a wonderfully haunting sound in their self-titled album. They have been able to construct an imme

  • Spilt Milk

    • 10 out of 10
    • Jellyfish
    • The second and final album from this power-pop group makes me wish Jellyfish had been able to make just one more record together. The album is best enjoyed as a whole piece, flowing from one track to
  • Playing the Angel

    • 8 out of 10
    • Depeche Mode
    • Oddly enough, Playing The Angel is a return to form for Depeche Mode, even though it may well be argued that they never truly deviated from their roots in their more recent offerings. In the

  • Chicago Transit Authority

    • 10 out of 10
    • Chicago
    • For those of you who don't know, Chicago didn't always suck, and everyone in the band didn't always play a keyboard. When the band started off they were pioneers of rock and jazz fusion, and guita

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News

Digital Music Sales Up, But Global Industry Sales Down

According to the international record label trade group IFPI, global digital sales of music jumped from US$400 million in 2004 to $1.1 billion in 2005, while the number of tracks leaped from 160 million to 470 million, but overall music sales were down 3%. Macworld UK said that the report shows 86% of global online music sales were individual tracks in 2005, with Apple's iTunes Music Store the leader.

The IFPI's report also said the United States, the United Kingdom, Japan, Germany, and France comprise the top five digital music markets, with sales split in half between such operations as the iTunes Music Store and cellular networks. Among the sale of all single tracks globally, digital downloads accounted for 75% last year, compared to 45% in 2004.

As for the sale of music on physical media, that dropped 6.7% in value and 8% when looking at the number of units shipped. CDs were off 6% and 3.4%, respectively, while DVD music videos declined 4.3% in value and remained flat in units.

Macworld UK quoted IFPI chairman and CEO John Kennedy as saying: "It is encouraging that the markets with the strongest digital sales are also generally the best performing markets overall. In Japan digital has already made up for the decline in physical sales, and other markets should go this way.

"Physical music sales declined again for a combination of reasons, including digital and physical piracy, competition from other entertainment products and the shift in consumer spending to online and mobile."

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