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  • Abnormal Anonymous

    • 8 out of 10
    • Congo Norvell
    • Very few albums manage to capture snapshots of a quality of life in the manner that Congo Norvell's sophomore record, "Abnormals Anonymous," does.

      Comparisons to the Velvet Underground are

  • Go Away White

    • 10 out of 10
    • Bauhaus
    • Go Away White is an album I've been waiting more than 20 years to hear, and the good news is that it was worth the wait.  The latest -- and last, no...for real this time -- album from

  • Bowie at Beeb: Best of BBC Radio 68-72

    • 10 out of 10
    • David Bowie
    • The companion CD to a BBC television concert, BBC Radio Theatre has some of the best renditions of many of Bowie's best songs throughout his career. "I'm Afraid of Americans" is substantial

  • Stadium Arcadium

    • 8 out of 10
    • Red Hot Chili Peppers
    • What? Only four stars, you stingy bastard? I'm asking myself the same question, so let me explain myself to myself... If I compare the new

  • The Wall (Deluxe Packaging Digitally Remastered)

    • 10 out of 10
    • Pink Floyd
    • Okay, someone had to say it, and though others on the iPO staff are more qualified to review this album, I decided the time was now. This is the quintessential concept album. Though others came before

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News

Macrovision CEO Offers to Help Apple Open FairPlay DRM

Macrovision is the latest company to jump on the open letter bandwagon with its response to the comments Apple CEO Steve Jobs made against digital rights management copy protection. CEO Fred Amoroso states he feels Mr. Jobs failed to look beyond the copy protection in music, and is offering the help of his company to turn FairPlay into a DRM technology every content provider can use.

As one of the biggest names in the copy protection market, Macrovision is probably in one of the best positions to understand how to implement DRM, and also in a position to want that technology to remain relevant. The copy protection scheme Macrovision offers can be found in music, movies, video games, and computer applications.

One of the benefits of DRM, according to Mr. Amoroso, is that it increases instead of decreases the value of the content consumers are buying.

"DRM is uniquely suitable for metering usage rights, so that consumers who don't want to own content, such as a movie, can 'rent' it," he said. "Similarly, consumers who want to consume content on only a single device can pay less than those who want to use it across all of their entertainment areas... Abandoning DRM now will unnecessarily doom all consumers to a 'one size fits all' situation that will increase costs for many of them."

He also claimed that without DRM to keep users from stealing content, the music and movie industry would pull their media from the market. In effect, he is saying that the entertainment industry sees all consumers as criminals out to steal music and movies.

Mr. Jobs made expressed his views against digital rights management in an open letter posted on the Apple Web site on February 6. In the letter, he called DRM ineffectual, and stated that Apple would remove the copy protection in songs and videos sold at the iTunes Store if the recording industry would agree.

The letter from Mr. Jobs has earned responses from several companies. Some, including Yahoo! have voiced support for dropping DRM. Others, including Microsoft and the RIAA are opposed to removing the technology.

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