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Release Date: August 05, 2009
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Release Date: September 29, 2009
Genre: Rock
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  • Spilt Milk

    • 10 out of 10
    • Jellyfish
    • The second and final album from this power-pop group makes me wish Jellyfish had been able to make just one more record together. The album is best enjoyed as a whole piece, flowing from one track to
  • Mezzanine

    • 6 out of 10
    • Massive Attack
    • "Black Milk" knocks me off my feet in this collection of moody and eclectic songs. Massive Attack uses samples and keyboards in a very unique way, but not all the songs pack the same punch.

  • One Word Extinguisher

    • 8 out of 10
    • Prefuse 73
    • It's an album about a breakup, done with beats instead of mopey lyrics. But the beats are raw, and the emotions are there, even if there aren't many words on top of it. While possibly not Scott Herren
  • War of the Worlds

    • 10 out of 10
    • Jeff Wayne
    • With the new movie adaptation of H.G Wells' classic Sci Fi invasion tale, War of the Worlds, currently on theater screens everywhere, there's new interest in Jeff Wayne's rock opera version, and it is
  • Every Day: The Best of the Verve Years

    • 8 out of 10
    • Joe Williams
    • Joe Williams was Figure Two in my three-man education in singing. A brilliant vocalist, scatter, and interpreter of jazz and blues, Williams produces music that's totally unique, yet sounds so effortl

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News

Macrovision CEO Offers to Help Apple Open FairPlay DRM

Macrovision is the latest company to jump on the open letter bandwagon with its response to the comments Apple CEO Steve Jobs made against digital rights management copy protection. CEO Fred Amoroso states he feels Mr. Jobs failed to look beyond the copy protection in music, and is offering the help of his company to turn FairPlay into a DRM technology every content provider can use.

As one of the biggest names in the copy protection market, Macrovision is probably in one of the best positions to understand how to implement DRM, and also in a position to want that technology to remain relevant. The copy protection scheme Macrovision offers can be found in music, movies, video games, and computer applications.

One of the benefits of DRM, according to Mr. Amoroso, is that it increases instead of decreases the value of the content consumers are buying.

"DRM is uniquely suitable for metering usage rights, so that consumers who don't want to own content, such as a movie, can 'rent' it," he said. "Similarly, consumers who want to consume content on only a single device can pay less than those who want to use it across all of their entertainment areas... Abandoning DRM now will unnecessarily doom all consumers to a 'one size fits all' situation that will increase costs for many of them."

He also claimed that without DRM to keep users from stealing content, the music and movie industry would pull their media from the market. In effect, he is saying that the entertainment industry sees all consumers as criminals out to steal music and movies.

Mr. Jobs made expressed his views against digital rights management in an open letter posted on the Apple Web site on February 6. In the letter, he called DRM ineffectual, and stated that Apple would remove the copy protection in songs and videos sold at the iTunes Store if the recording industry would agree.

The letter from Mr. Jobs has earned responses from several companies. Some, including Yahoo! have voiced support for dropping DRM. Others, including Microsoft and the RIAA are opposed to removing the technology.

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