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Release Date: September 29, 2009
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  • The Dresden Dolls

    • 10 out of 10
    • The Dresden Dolls
    • The energetic duet of Amanda Palmer and Brian Viglione that make up the Dresden Dolls have created a wonderfully haunting sound in their self-titled album. They have been able to construct an imme

  • Hello

    • 8 out of 10
    • Poe
    • Poe rocked my world with "Angry Johnny" (I want to kill you/I want to blow you/Away) and "Trigger Happy Jack" (Trigger Happy Jack/ You're gonna blow/But I'm gonna get off/Before you go), as powe

  • Abnormal Anonymous

    • 8 out of 10
    • Congo Norvell
    • Very few albums manage to capture snapshots of a quality of life in the manner that Congo Norvell's sophomore record, "Abnormals Anonymous," does.

      Comparisons to the Velvet Underground are

  • So Jealous

    • 8 out of 10
    • Tegan and Sara
    • So Jealous is the third album from these sisters, and easily the one to single out for an introduction to their music. Some people may not get on board with their vocal styles, which are slightly

  • Now Here Is Nowhere

    • 10 out of 10
    • Secret Machines
    • The Secret Machines' inaugural album, Now Here is Nowhere is both old and new in its sonic assault. The trio's surprisingly big sound evokes Pink Floyd (without ever sounding like any Pink

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News

SF Chronicle: Zune Reinforces Microsoft’s Dorky Image

Microsoft's new Zune does little more than reinforce the company's "dorky image," according to a blog-review of the digital media device published by the San Francisco Chronicle. Reviewer C.W. Nevius said that the company has done little more than to reinforce the stodgy image portrayed by Apple in that company's "Get a Mac" campaign.

"Either the Micro-guys are clueless dorks -- Zune is as expensive as iPod, bulkier, and is neither as easy to work as iPod nor as cool. Or, worse yet, the boys up north are malicious bullies," wrote Mr. Nevius. Of course, he also mentions the ability to "use Firefox" with the iPod, something that to our knowledge is completely irrelevant to using an iPod (all iPod loading and management is done through iTunes, be it on Windows or Mac OS X).

That faux pas aside, Mr. Nevius extols the virtues of iPod, while criticizing the heavier, less elegant, and harder-to-use Zune. He closes with the notion that the company must be being hurt by Apple's "Get a Mac" commercials that portray them as a "doofus."

"The response to the Zune," he wrote, "which was supposed to be 'the iPod killer,' only convinces me that I am right. Microsoft is probably being hurt by those TV ads which portray them as a doofus. So they went out and proved it by introducing a much-ballyhooed product that only reinforces the image."

Such reviews have so far been common, but The Mac Observer's John Martellaro wrote recently that far from being a mistake, the Zune's lackluster image is specifically the heart and soul of the company's strategy in this market.

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