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Release Date: August 05, 2009
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Release Date: September 29, 2009
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  • 8:30

    • 10 out of 10
    • Weather Report
    • This is Weather Reports quintessential line-up captured live. Jaco Pastorious and Peter Erskine join Wayne Shorter and, of course, Joe Zawinul to create this masterpiece.
  • Spilt Milk

    • 10 out of 10
    • Jellyfish
    • The second and final album from this power-pop group makes me wish Jellyfish had been able to make just one more record together. The album is best enjoyed as a whole piece, flowing from one track to
  • War of the Worlds

    • 10 out of 10
    • Jeff Wayne
    • With the new movie adaptation of H.G Wells' classic Sci Fi invasion tale, War of the Worlds, currently on theater screens everywhere, there's new interest in Jeff Wayne's rock opera version, and it is
  • The Dresden Dolls

    • 10 out of 10
    • The Dresden Dolls
    • The energetic duet of Amanda Palmer and Brian Viglione that make up the Dresden Dolls have created a wonderfully haunting sound in their self-titled album. They have been able to construct an imme

  • How to Dismantle an Atomic Bomb

    • 6 out of 10
    • U2
    • U2's latest entry is a mostly underwhelming collection of songs that does very little to sound any different from its equally pedestrian predecessor, 2000's "All That You Can't Leave Behind." While

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News

TV Studios and Legacy TVs Slow HDTV

The TV business knows that most of their viewers will still be watching TV on non-HDTVs for years to come. It could take five more years before the networks fully adopt HDTV's widescreen format according to a story by Mark Cuban at DigitalMediaWire on Sunday.

Movie are always shot as if they're going to be viewed in a theater or, eventually, in a home theater. That sets the scope of the movie's wide screen aspect ratio. However, in the TV business, the frame is still designed for the millions who still have a TV with a 4x3 screen. "The conventional wisdom," Mr. Cuban wrote, "is that dramas and high end shows are shot in film while comedies are shot on HD Tape, and reality shows are regular tape. But all are shot "protected" for regular 4x3 TVs."

One network, however, has moved completely into HDTV, HDNet. All of HDNet's content is created specially for HDTV. HDTV customers, when polled, always show a preference for content shot as HD source, not upconverted from SD tape. A lot of current HD material is still created in that way.

"It's going to be interesting to see how long broadcast and cable networks pander to the 4x3 masses at the expense of those who love their shows in HD. ... it could be 5 or more years before they are willing to change the status quo," Mr. Cuban reported.

Against this background, Apple's decision to sell TV content in 640 x 480, 30fps seems completely practical. The cutoff data for analog TV is only 24 months away, and HDTV sales are booming, but the television industry still cannot afford to cater only to the eager adopters of HDTV.

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