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  • How to Dismantle an Atomic Bomb

    • 6 out of 10
    • U2
    • U2's latest entry is a mostly underwhelming collection of songs that does very little to sound any different from its equally pedestrian predecessor, 2000's "All That You Can't Leave Behind." While

  • Jagged Little Pill (Acoustic)

    • 6 out of 10
    • Alanis Morissette
    • Ten years after the original release, comes the traditional celebratory acoustic re-recording. The album has held up remarkably well. While it is not as meaningful to me as it was when I was sixteen,
  • De Nova

    • 10 out of 10
    • The Redwalls
    • Wow! Perhaps my 5-star rating is simply because the Redwalls are not only new and fresh (none of them older than 22!), or perhaps its because -- despite their ages -- they are able to totally capture
  • Playing the Angel

    • 8 out of 10
    • Depeche Mode
    • Oddly enough, Playing The Angel is a return to form for Depeche Mode, even though it may well be argued that they never truly deviated from their roots in their more recent offerings. In the

  • The Dresden Dolls

    • 10 out of 10
    • The Dresden Dolls
    • The energetic duet of Amanda Palmer and Brian Viglione that make up the Dresden Dolls have created a wonderfully haunting sound in their self-titled album. They have been able to construct an imme

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News

Talks To End DRM on EMI Music Stalled

Recent discussions between EMI Group and music retailers were aimed at removing DRM on songs, but an upfront payment agreement couldn't be reached, and talks have stalled according to The Seattle Times on Saturday.

The music retailers included Apple, Microsoft, RealNetworks, Yahoo and Amazon.

EMI wanted an agreement that included a large upfront payment to compensate them for illegal copying, and the retailers presented a counter offer that was lower. An agreement couldn't be reached, and talks have stalled.

The matter is made more difficult because Warner Music has wanted to buy EMI, and Warner's CEO Edgar Bronfman opposes music sold with out the traditional protection mechanisms.

The feeling in the industry is that the first music company to strike such a deal with major music on-line retailers would set a precedent, and the other labels, under pressure, would be compelled to follow suit.

"Ultimately the industry will have to do go down this road," Harold Vogel, a media analyst said. "I would have thought the industry would have been further along at this point."

Meanwhile, overall music sales continue to decline. Many music company executives have hoped that on-line sales would make up for the losses in CD sales. If that doesn't happen, the music industry will eventually be faced with much tougher decisions about how to promote and sell their music.

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