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How to Dismantle an Atomic Bomb
- U2
U2's latest entry is a mostly underwhelming collection of songs that does very little to sound any different from its equally pedestrian predecessor, 2000's "All That You Can't Leave Behind." While
- Red Hot Chili Peppers
- Barenaked Ladies
- These guys know how to put on a live show, and whomever recorded this knows how to capture one. Rock Spectacle is one of the warmest-sounding recordings I've ever heard, and totally fills a room at a
- Brother Love
- Killer grooves, catchy riffs, edgy vocals with oh-so-just-right layered harmonies, and a drive that will move even YOU out of your chair, Brother Love's initial release is what rock and roll should be
- The Who
Quadrophenia is everything that Tommy wanted to be, a rock opera that told a story, but one where every song could still stand alone. It was also Pete Townshend's farewell tribute to the Mod
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iTunes Music Review - Every Day: The Best of the Verve Years
Every Day: The Best of the Verve Years
- Joe Williams
- Reviewed by Ricky Spero
- Joe Williams was Figure Two in my three-man education in singing. A brilliant vocalist, scatter, and interpreter of jazz and blues, Williams produces music that's totally unique, yet sounds so effortless that it's easy to mistake for schmaltz. While I dig his early recordings (largely made with the Basie Band), his later cuts have a looseness and flexibility that grabs my ear. In the later years, Williams took to touring with a world-class quartet (piano, guitar, drum and bass) that matches any group I've heard in tightness and groove. Look into "Every Night," "Sometimes I'm Happy," "Jimmy's Blues," or "I Want a Little Girl" for Williams at his best. Listen to how he casually drags phrases ahead of their usual place, rewrites melodies, or adjusts rhythms. It's like Sinatra, only slicker, hipper, harder, better.
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