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- Harvey Danger
The sophomore effort from Harvey Danger, I was really looking forward to this followup to "Where Have All the Merrymakers Gone?" Unfortunately, "King James Version" failed to deliver any of the bri
- Miles Davis
- The jazz album to end all jazz albums. Miles Davis and John Coltrane and Cannonball Adderly and the list goes on. The who's who of who's who in jazz have assembled for this monumental record. Get this
- Led Zeppelin
- This album bears every flavor of genius from the five records that came before. It is, I believe, the band's finest. With Physical Graffiti, Zep came raging back to their musical home territory -- har
- Aretha Franklin
While she didn't always have the best taste in song selection, Aretha Franklin is a must-study for anyone with interest in the human voice. She has the kind of powerful, recklessly passionate deliv
- Amon Tobin
- The genius is in the beats. Amon Tobin creates fantastic, groovy beats behind beats. "Supermodified" rolls through your expectations of breakbeat music, and turns them up a bit. It's a mellow album, p
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iTunes Music Review - Perverse
- Jesus Jones
- Reviewed by Dane Blanchard
When you think of Jesus Jones, chances are you can't remember them at all, or you vaguely remember "Right Here, Right Now" because it has been used in a laxative commercial, or something of the sort.
After being decimated by the British press and forgotten quickly by American audiences, any subsequent releases would probably have been supressed, which is what happened with their third release, Perverse. Believe it or not, Perverse is something of an electronic masterpiece overlooked.
It is the complete opposite of their dancepop hit record Doubt; darker, seriously intense, and massively aggressive, Perverse was way too far ahead of its time for 1993. As a band coming off a small handful of hit singles, the record has none. The opener "Zeroes and Ones" begins with alienatingly shrill computer noise that segues into a set of great songs that are only for the daring.
The tone of the album is so dark and so personal that, legend has it, drove several fans to violence, one even going so far as to stalk the lead singer. While the album's production does not hold up twelve years later as being cutting edge, this one is classic, even if your friends do laugh at you.
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