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Live at the Magic Bag, Ferndale, MI
- Supersuckers
- Man, there's nothing like good, old fashioned, rock and roll... add a bit of industry resentment to that with a double-shot of cynicism, and you get one of the best "new" rock bands going. This album
Bowie at Beeb: Best of BBC Radio 68-72
- David Bowie
The companion CD to a BBC television concert, BBC Radio Theatre has some of the best renditions of many of Bowie's best songs throughout his career. "I'm Afraid of Americans" is substantial
- Nine Inch Nails
In the sprawling post-A&R rock and roll world, there are two camps: the Beatles and the Stones. The Beatles are the artists that like to explore, evolve, and change styles. The Stones are the artis
- Nine Inch Nails
- For years I wanted to make music that sounded like something between Love and Rockets and Ministry. In 1989, Trent Reznor beat me to it with this genre-defining album, and it smacked me upside the hea
- Belle & Sebastian
The Life Pursuit is a sort of Reeses Peanut Butter Cup. You get Belle & Sebastian's peanut butter (its wistful, often irresistible pop) dipped in a 'Have A Nice Day!' and glam 70s chocol
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iTunes Music Review - Wolfmother
- Wolfmother
- Reviewed by Bryan Chaffin
Black Sabbath, The White Stripes, The Stooges. There aren't many bands worth their salt that want to be compared to other bands, but when I listen to Wolfmother's self-titled American debut, I can't help but be reminded of those three other bands. Rather than sounding derivative, however, Wolfmother manages to evoke the spirit of those who came before them while also sounding fresh and interesting.
A power trio in the tradition of heavy metal's earliest roots, Wolfmother has a sort of raw and urgent sound that bespeaks youth. That they can hearken back to bands that recorded their first albums long before Wolfmother's members were born is just a product of rock's unprecedented longevity in the history of popular music.
The key to the band's sound is guitarist/songwriter/sing Andrew Stockdale. His vocals have often earned comparisons to Jack White ("Apple Tree," "Joker and the Thief") and early Ozzy Osborne ("Dimension," "Woman"), but it's his guitar that cuts through the noise that radio. Deceptively simple sounding riffs and chord progressions (usually mirrored by Chris Ross's bass lines) are coupled with guitar solos that actually seem to serve a purpose other than to break up the song.
Wolfmother may feel like a loose band at first, but don't let that fool you. The songs on this album are tight, solid, and well-crafted. To be so well-made without feeling too polished or over-produced may be part of the band's reach back in time to an era when rock, especially what was then considered "hard rock," was new.
Make no mistake about it, Wolfmother's influences are obvious, but they are still one of the most original new acts in rock and roll. Their music gets your head bobbing, your foot tapping, and your air guitar swinging.
Favorite Songs: "Dimension," "Woman," "The Joker and the Thief," "Love Train," "Vagabond"
Band Info:
Andrew Stockdale: Vocals, Guitar
Chris Ross: Bass, Keyboards
Myles Heskett: DrumsAlbum produced by Dave Sardy
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