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How to Dismantle an Atomic Bomb
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U2's latest entry is a mostly underwhelming collection of songs that does very little to sound any different from its equally pedestrian predecessor, 2000's "All That You Can't Leave Behind." While
- Powderfinger
- Guitar-driven rock out of Australia, Powderfinger has not seen much exposure in the States, but should get a nod for their toe-tapping songs. Building off their previous release, "Internationalist" (
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- We all know it, right? Well, ya just gotta have it. 2112 finally showed Rush out on their own, doing their own thing, and doing it well, IMHO.
Bowie at Beeb: Best of BBC Radio 68-72
- David Bowie
The companion CD to a BBC television concert, BBC Radio Theatre has some of the best renditions of many of Bowie's best songs throughout his career. "I'm Afraid of Americans" is substantial
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News
Which Business Model Will Dominate Digital Music Sales?
Monday, August 28th, 2006 at 3:00 PM - by Brad Cook
"The questions about business models in the digital age have not yet been answered," Jill Rosengard, managing director at research firm Frank N Magid Associates, told Financial Times on Tuesday, in response to questions about Universal's support for the ad-based music venture SpiralFrog.
Ms. Rosengard added: "Of the three possible business models - pay-per-play, subscriptions or advertising-supported - so far pay-per-play is the only one that has really worked for music. Subscription models on the internet work but only for very specific and very valuable content."
Despite iTunes' dominance of the digital music sales business, noted reporter Aline van Duyn, "it is estimated by music industry bodies that for every legally downloaded tune, people are still illegally copying 40 others." Forrester Research analyst Ted Schadler said: "It is possible that different models will work for different people. Downloads might be best for younger people who define themselves by their music. Subscriptions might work best for older people who love music but are more comfortable not owning it."
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