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- The Who
Quadrophenia is everything that Tommy wanted to be, a rock opera that told a story, but one where every song could still stand alone. It was also Pete Townshend's farewell tribute to the Mod
- Aretha Franklin
While she didn't always have the best taste in song selection, Aretha Franklin is a must-study for anyone with interest in the human voice. She has the kind of powerful, recklessly passionate deliv
- The Dresden Dolls
The energetic duet of Amanda Palmer and Brian Viglione that make up the Dresden Dolls have created a wonderfully haunting sound in their self-titled album. They have been able to construct an imme
- Spoon
Gimme Fiction by Spoon is a terrific album by an Austin band that I was lucky enough to catch on an Austin radio station during a Christmas visit.
- Revolting Cocks
It's hard to believe it's been more than a decade since Ministry founder and front man Al Jourgensen's side project Revolting Cocks released any new material. 2006 brings us Cocked and Loaded
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iTunes Music Review - Physical Graffiti
- Led Zeppelin
- Reviewed by Ricky Spero
- This album bears every flavor of genius from the five records that came before. It is, I believe, the band's finest. With Physical Graffiti, Zep came raging back to their musical home territory -- hard rock and supercharged blues -- carrying lessons from their digressions in Led Zeppelin III and Houses of the Holy. The album showcases singer Robert Plant's at his most melodic since singing "Stairway to Heaven" (he's on my short list for best voice in Rock and Roll history), and drummer John Bonham at his most subtle and refined -- even while he's at his hardest-hitting. Guitar hero Jimmy Page delivers all the variously clever, noodling, bluesy, rocking guitar riffs he can cram, and oft-forgotten bassist/keyboardist/mandolinier John Paul Jones provides a kind of musical spackle, especially in the mellower second disc of this double album. But even while Physical Graffiti serves as a summary of the explorations of Rock's quintessential band, it also sets a new standard for the Rock Epic in my two favorite tracks, "Kashmir," and "In My Time of Dying." The dark, driving intensity of those performances has yet to be matched. "Bohemian Rhapsody," "Freebird," and "November Rain," though fine songs in their way, can't touch Led Zep at its most passionate.
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