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- The Dresden Dolls
The energetic duet of Amanda Palmer and Brian Viglione that make up the Dresden Dolls have created a wonderfully haunting sound in their self-titled album. They have been able to construct an imme
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"Black Milk" knocks me off my feet in this collection of moody and eclectic songs. Massive Attack uses samples and keyboards in a very unique way, but not all the songs pack the same punch.
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At first, Ray LaMontagne might strike you as just another breathy-voiced knockoff of folk/rock guitarists like John Mayer and Jack Johnson. But he's actually got a better voice than either, he tell
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Poe rocked my world with "Angry Johnny" (I want to kill you/I want to blow you/Away) and "Trigger Happy Jack" (Trigger Happy Jack/ You're gonna blow/But I'm gonna get off/Before you go), as powe
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While she didn't always have the best taste in song selection, Aretha Franklin is a must-study for anyone with interest in the human voice. She has the kind of powerful, recklessly passionate deliv
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iTunes Music Review - Every Day: The Best of the Verve Years
Every Day: The Best of the Verve Years
- Joe Williams
- Reviewed by Ricky Spero
- Joe Williams was Figure Two in my three-man education in singing. A brilliant vocalist, scatter, and interpreter of jazz and blues, Williams produces music that's totally unique, yet sounds so effortless that it's easy to mistake for schmaltz. While I dig his early recordings (largely made with the Basie Band), his later cuts have a looseness and flexibility that grabs my ear. In the later years, Williams took to touring with a world-class quartet (piano, guitar, drum and bass) that matches any group I've heard in tightness and groove. Look into "Every Night," "Sometimes I'm Happy," "Jimmy's Blues," or "I Want a Little Girl" for Williams at his best. Listen to how he casually drags phrases ahead of their usual place, rewrites melodies, or adjusts rhythms. It's like Sinatra, only slicker, hipper, harder, better.
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