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iTunes New Music Releases

Release Date: September 29, 2009
Genre: Rock
Release Date: September 20, 2009
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Genre: Rock
Release Date: August 25, 2009

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Discover New Music

  • Music Has The Right To Children

    • 10 out of 10
    • Boards of Canada
    • This one will haunt you. From the first notes to the last, their sound surrounds you. BOC has put out a fantastic catalogue, and this album is a great starting point for a new listener. Jump straight
  • De Nova

    • 10 out of 10
    • The Redwalls
    • Wow! Perhaps my 5-star rating is simply because the Redwalls are not only new and fresh (none of them older than 22!), or perhaps its because -- despite their ages -- they are able to totally capture
  • Spilt Milk

    • 10 out of 10
    • Jellyfish
    • The second and final album from this power-pop group makes me wish Jellyfish had been able to make just one more record together. The album is best enjoyed as a whole piece, flowing from one track to
  • Modern Lovers

    • 10 out of 10
    • Modern Lovers
    • This timeless masterpiece is little known, but it has inspired almost as many bands as The Modern Lovers' own inspiration -- and only slightly better known -- The Velvet Underground & Nico.

  • Kind of Blue

    • 10 out of 10
    • Miles Davis
    • The jazz album to end all jazz albums. Miles Davis and John Coltrane and Cannonball Adderly and the list goes on. The who's who of who's who in jazz have assembled for this monumental record. Get this

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iTunes Music Review - Every Day: The Best of the Verve Years

  • Every Day: The Best of the Verve Years

    • 8 out of 5
    • Joe Williams
    • Reviewed by Ricky Spero
    • Buy this album from Amazon.com
    • Buy this album from iTunes Music Store
    • Joe Williams was Figure Two in my three-man education in singing. A brilliant vocalist, scatter, and interpreter of jazz and blues, Williams produces music that's totally unique, yet sounds so effortless that it's easy to mistake for schmaltz. While I dig his early recordings (largely made with the Basie Band), his later cuts have a looseness and flexibility that grabs my ear. In the later years, Williams took to touring with a world-class quartet (piano, guitar, drum and bass) that matches any group I've heard in tightness and groove. Look into "Every Night," "Sometimes I'm Happy," "Jimmy's Blues," or "I Want a Little Girl" for Williams at his best. Listen to how he casually drags phrases ahead of their usual place, rewrites melodies, or adjusts rhythms. It's like Sinatra, only slicker, hipper, harder, better.

     

     

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