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  • Modern Lovers

    • 10 out of 10
    • Modern Lovers
    • This timeless masterpiece is little known, but it has inspired almost as many bands as The Modern Lovers' own inspiration -- and only slightly better known -- The Velvet Underground & Nico.

  • Playing the Angel

    • 8 out of 10
    • Depeche Mode
    • Oddly enough, Playing The Angel is a return to form for Depeche Mode, even though it may well be argued that they never truly deviated from their roots in their more recent offerings. In the

  • Plans

    • 8 out of 10
    • Death Cab for Cutie
    • With the introduction of Plans, Death Cab for Cutie became a new addition to many user's Artist list after the single "Soul Meets Body" became a hit on iTunes. Offering a fresh alternativ

  • King James Version

    • 4 out of 10
    • Harvey Danger
    • The sophomore effort from Harvey Danger, I was really looking forward to this followup to "Where Have All the Merrymakers Gone?" Unfortunately, "King James Version" failed to deliver any of the bri

  • Cocked & Loaded

    • 8 out of 10
    • Revolting Cocks
    • It's hard to believe it's been more than a decade since Ministry founder and front man Al Jourgensen's side project Revolting Cocks released any new material. 2006 brings us Cocked and Loaded

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iTunes Music Review - Perverse

  • Perverse

    • 8 out of 5
    • Jesus Jones
    • Reviewed by Dane Blanchard
    • Buy this album from Amazon.com
    • Buy this album from iTunes Music Store
    • When you think of Jesus Jones, chances are you can't remember them at all, or you vaguely remember "Right Here, Right Now" because it has been used in a laxative commercial, or something of the sort.

      After being decimated by the British press and forgotten quickly by American audiences, any subsequent releases would probably have been supressed, which is what happened with their third release, Perverse. Believe it or not, Perverse is something of an electronic masterpiece overlooked.

      It is the complete opposite of their dancepop hit record Doubt; darker, seriously intense, and massively aggressive, Perverse was way too far ahead of its time for 1993. As a band coming off a small handful of hit singles, the record has none. The opener "Zeroes and Ones" begins with alienatingly shrill computer noise that segues into a set of great songs that are only for the daring.

      The tone of the album is so dark and so personal that, legend has it, drove several fans to violence, one even going so far as to stalk the lead singer. While the album's production does not hold up twelve years later as being cutting edge, this one is classic, even if your friends do laugh at you.

     

     

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