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  • Spilt Milk

    • 10 out of 10
    • Jellyfish
    • The second and final album from this power-pop group makes me wish Jellyfish had been able to make just one more record together. The album is best enjoyed as a whole piece, flowing from one track to
  • Life's Rich Pageant

    • 8 out of 10
    • R.E.M.
    • In the long series of R.E.M.'s evolution, this album (finally?) showcases their ability to capture on tape what had been happening in the live for years: heartfelt, sweat-filled performances that just
  • The Stooges

    • 8 out of 10
    • The Stooges
    • Another pillar of my musical foundations, The Stooges' first album is one those records whose influence far outweighed its popularity. Like The Velvet Underground & Nico, hordes of people wh

  • De Nova

    • 10 out of 10
    • The Redwalls
    • Wow! Perhaps my 5-star rating is simply because the Redwalls are not only new and fresh (none of them older than 22!), or perhaps its because -- despite their ages -- they are able to totally capture
  • Physical Graffiti

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    • Led Zeppelin
    • This album bears every flavor of genius from the five records that came before. It is, I believe, the band's finest. With Physical Graffiti, Zep came raging back to their musical home territory -- har

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iTunes Music Review - Bowie at Beeb: Best of BBC Radio 68-72

  • Bowie at Beeb: Best of BBC Radio 68-72

    • 10 out of 5
    • David Bowie
    • Reviewed by Bryan Chaffin
    • Buy this album from Amazon.com
    • Buy this album from iTunes Music Store
    • The companion CD to a BBC television concert, BBC Radio Theatre has some of the best renditions of many of Bowie's best songs throughout his career. "I'm Afraid of Americans" is substantially harder and more driving than the studio version produced by Trent Reznor, and "Fame" is more funky than the original.

      The reinterpretation of "Let's Dance" made me appreciate the song all over again, and "Cracked Actor" packs a punch that will knock you off your feet. (I should also note that having women sing the backup vocals on that song transforms it from a vulgar complaint to a curiously sexy power song).

      The band in this performance is a who's who of top studio pros, but they fit Bowie like a glove. [NOTE: BBC Radio Theatre is the third CD included with Bowie at the Beeb; the first two CDs in the boxed set are BBC appearances from Bowie's early career, and are unrelated to the 2000 performance reviewed here.]

     

     

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