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Discover New Music

  • So Jealous

    • 8 out of 10
    • Tegan and Sara
    • So Jealous is the third album from these sisters, and easily the one to single out for an introduction to their music. Some people may not get on board with their vocal styles, which are slightly

  • Supernature

    • 10 out of 10
    • Goldfrapp
    • On their latest CD, Supernature, Goldfrapp has put together a successful mix of 1980-era New Romanticism, German cabaret, and T. Rex glam that leaves you riveted even through the album's lulls. It's a great amalgam that sounds current without sounding at all dated.

  • Zooropa

    • 10 out of 10
    • U2
    • This record is perhaps U2's finest hour, yet it has been forgotten as a strange by-product of the ZooTV tour's overload, and is generally regarded by most fans as a poor effort. It is this sentiment t
  • Abnormal Anonymous

    • 8 out of 10
    • Congo Norvell
    • Very few albums manage to capture snapshots of a quality of life in the manner that Congo Norvell's sophomore record, "Abnormals Anonymous," does.

      Comparisons to the Velvet Underground are

  • Go Away White

    • 10 out of 10
    • Bauhaus
    • Go Away White is an album I've been waiting more than 20 years to hear, and the good news is that it was worth the wait.  The latest -- and last, no...for real this time -- album from

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iTunes Music Review - Playing the Angel

  • Playing the Angel

    • 8 out of 5
    • Depeche Mode
    • Reviewed by Dane Blanchard
    • Buy this album from Amazon.com
    • Buy this album from iTunes Music Store
    • Oddly enough, Playing The Angel is a return to form for Depeche Mode, even though it may well be argued that they never truly deviated from their roots in their more recent offerings. In their strongest and most well-rounded release since 1993's Songs of Faith and Devotion, the band makes dark sexy and dirty danceable all over again with a collection of infectious and hypnotic tunes.

      Starting off as a sinister party record, Playing The Angel progressively turns emotionally sour, with lyrics becoming murkier amidst songs in minor keys. As with most Depeche Mode albums, this one is not without its superfluous artsy deviations, but they never draw the listener too far out of the vibe.

      The success of Depeche Mode is largely attributable to their mixing cold electronic sounds with the unexpected warmth of those that are very organic. Playing The Angel underscores that idea.

     

     

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