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iTunes New Music Releases

Release Date: September 29, 2009
Genre: Rock
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Discover New Music

  • Odyssey Number Five

    • 10 out of 10
    • Powderfinger
    • Guitar-driven rock out of Australia, Powderfinger has not seen much exposure in the States, but should get a nod for their toe-tapping songs. Building off their previous release, "Internationalist" (
  • Supernature

    • 10 out of 10
    • Goldfrapp
    • On their latest CD, Supernature, Goldfrapp has put together a successful mix of 1980-era New Romanticism, German cabaret, and T. Rex glam that leaves you riveted even through the album's lulls. It's a great amalgam that sounds current without sounding at all dated.

  • An Evening with George Shearing & Mel Torm�

    • 10 out of 10
    • Mel Torm� & George Shearing
    • Of the three men who taught me how to sing, the last was Mel Torme. Apparently, Mel Torme is a joke to anyone more than a decade older than me, a living parody of a Vegas crooner. But I stumbled on th
  • Spilt Milk

    • 10 out of 10
    • Jellyfish
    • The second and final album from this power-pop group makes me wish Jellyfish had been able to make just one more record together. The album is best enjoyed as a whole piece, flowing from one track to
  • Supermodified

    • 10 out of 10
    • Amon Tobin
    • The genius is in the beats. Amon Tobin creates fantastic, groovy beats behind beats. "Supermodified" rolls through your expectations of breakbeat music, and turns them up a bit. It's a mellow album, p

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iTunes Music Review - Zooropa

  • Zooropa

    • 10 out of 5
    • U2
    • Reviewed by Dane Blanchard
    • Buy this album from Amazon.com
    • Buy this album from iTunes Music Store
    • This record is perhaps U2's finest hour, yet it has been forgotten as a strange by-product of the ZooTV tour's overload, and is generally regarded by most fans as a poor effort. It is this sentiment that puts this album in league with Bowie's "Low" as heartfelt desire to experiment and break an audience's expectations that ultimately alienates the artist's core supporters. Eschewing the standard anthemic sound for which U2 is known for deep electronic textures and powerfully distant production, Zooropa begins with a series of noncommittal commentaries on the newly minted convergence of media in the early 90s. More surreal than the bizarre sounds coming from these songs, the second half of Zooropa is an exploration of personal anguish that smoothly transitions from sardonic to painfully devastating, and is capped off by an appearance by Johnny Cash singing the part of Christ as a drifter. Quite different from just about anything released by U2 before or since, Zooropa is a must-have for anyone in need of a serious sonic vacation and/or redemption.

     

     

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